Gastkünstler*innen AIR 2022

Gastkünstler*innen 2022

Auch wenn internationale Reisen im Jahr 2022 Coronabedingt nach wie vor vielen Einschränkungen unterlagen, konnten wir doch alle unsere Gastkünstler*innen 2022 wie geplant im Stadt:Atelier im Künstlerhaus begrüßen.

Sandro Scarmiglia

artist-in-residence guest - 01_2022
Animalia 2020

Sandro Scarmiglia was born in Rome in 1964 and graduated in painting at the Brera Academy of Fine Arts in 1990. 

In the same year he begins his collaboration as an assistant designer for television programs on Rai and Fininvest. With the same qualification in 1996 he landed in cinema with the film "LUNA E L’ALTRA" by M. Nichetti. 

As a scenographer he collaborates to the realization of great events and conventions, later he signs scenes and costumes for theatrical performances including Hard Love by M. Lerner directed by Roberto Silvestri and Aria Nova by Pierpaolo Palladino with the direction of B. Maccallini. 

With A.m.r.e.f. and Dulcimer he participates to a humanitarian project project for poor children in Nairobi organizing the show "Mgona mtaani" which debuts in Italy at Umbria jazz in 2009.

Parallel to his professional career as a scenographer, he has always kept alive his deep interest for plastic research, finally arriving to sculpture.

Solo and group exhibitions in Italy, Argentina and Austria.

Bora Baboci

artist-in-residence guest - 02_2022

(1988) was born in Tirana, Albania.
Currently living and working in Shkoder. 

She studied architectural design and criticism at the University of Toronto, Universidad Torcuato Di Tella in Buenos Aires and has a master’s degree in the same field at the Universitat Politècnica de Catalunya. 

After few years of work experience in an architectural studio, research institution and the central government in Albania, starting from 2015 she worked as researcher and academic assistant at the Technischen Universität - Berlin, focusing on spatial production in the context of global migration. 

Since 2017 she has focused on developing
her own practice diffusing her work in spatial research with the visual and performative arts.

Rino Banko

artist-in-residence guest - 03_2022
Abstrakte Skulptur
Autoportret_Misao u prostoru_br.2.(A)

geb. 1994 in Pula 
Studium der Bildhauerei in Rijeka, 2018 Abschluss zweijährigen Masterstudiengang.
Derzeit Assistenzprofessor an der Akademie für Angewandte Kunst in Rijeka, Abteilung Bildhauerei, und Mitglied der Kroatischen Gesellschaft Bildender Künstler Istriens.
Gruppen- und Einzelausstellungen im In- und Ausland (Zagreb, Rijeka, Kostrena, Opatija, Lovran, Labin, Pula, Umag, Piran, Koper (Slowenien), Düsseldorf). 

Arbeitskonzept für Salzburg:
"Die Werkreihe "Kerne" entspringt meinem eigenen bildhauerischen Denken und der Beziehung, die ich zu der Materie und den Materialien entwickle, mit denen ich arbeite. Im Falle des Steins umfassen diese Gedanken die Elemente, die ihn formen und die Strukturen, die seinen Abbau bestimmen. Elemente wie Wasser und bestimmte atmosphärische Elemente verändern ständig die Form organischer Materialien.
Was mich als Bildhauer interessiert, ist, wie ich diese "Modellierung", die durch verschiedene Einflüsse und Faktoren entsteht, nutzen und betonen kann und welche Beziehung zwischen natürlicher Modellierung und Zeit zusammen mit meiner eigenen Formgebung und meinen Eingriffen in dasselbe Material besteht.
"

Istvan Felsmann

artist-in-residence guest - 04_2022
"Supersymmetry II"
Lego, spray, 42 x 32 x 1,50cm, 2021

Born 1984 in Budapest. Lives and works in Budapest.

Education 2016 - 2013:
Hungarian University of Fine Arts, Budapest, Hungary
Master in Painting, Graphic Design Faculty

Artist statement:
"In my art, I aspire to the interdisciplinary approach, I try to define the form by concept, therefore, there are no formal limits. I make sculptures, kinetic objects, performances. I would like to avoid aesthetics, I think the work can be timeless if it comes from the nature of its subject. I'm trying to find simple connections and through these to examine the big picture.
In terms of themes and subjects, I like to think about the future of fine arts (if is it possible get closer to the level of Malevich). I am interested in the mystery of the technological development of our time, the systems of social and political relations. I do not understand much how and how it works my art is often based on impressions."

Karen Weinert

artist-in-residence Gastkünstlerin - 05_2022

geb. 1976 in Dresden.
Aufbaustudium „Curating“, Hochschule der Künste Zürich, 2009/10
Meisterschülerin von Prof. Martin Honert, HfBK Dresden, 2007
Studium „Visuelle Kommunikation (mit Schwerpunkt Fotografie & Ausstellungs- und Grafikdesign)“ bei Prof. Elfi Fröhlich und Prof. Hermann Stamm (1998–2004)
Ausbildung zur Fotografin bei Werner Lieberknecht, Dresden (1995–98).
Stipendien und Auslandsaufenthalte seit 2006.
Seit 2008 Einzel- und Gruppenausstellungen in Deutschland, Österreich, Polen, Finnland und Korea.

Da das Stipendium der Künstlerin zum zweiten Mal in Folge wegen Corona verschoben wurde, hat sich auch ihr künstlerisches Interesse an Salzburg leicht verlagert. Die Pandemiesituation soll dabei nicht direkt Thema der Arbeiten werden, vielmehr will sie in diesem Zusammenhang die Begegnung mit einer Stadt, welche u.a. vom Tourismus geprägt ist, hinterfragen. „Mich interessieren dabei konzeptuelle fotografische Ansätze - ich möchte ein subjektives Porträt der Stadt entwickeln, welches von Textfragmenten begleitet wird. Insofern ist der Aufenthalt für mich auch ein Experiment mit offenem Ausgang, auf welches ich mich sehr freue.“

Während dem Gastaufenthalt möchte Karen Weinert darüber hinaus die Salzburger Kunst- und Fotoszene näher kennenlernen, um mögliche Kooperationsformen in Hinblick auf ihren Ausstellungsraum in Dresden zu finden.

Rosa Helin

artist-in-residence guest - 06_2022
Abstraktes Bild eines tanzenden Paares von oben betrachtet
rhythm
160 x 160 cm, acrylic on canvas, 2021

Turku / Finnland (1981)
Studies:
2019 - Bachelor of Fine Art, Turku, Finland;
2015 - Art casting, Advanced, Tampere, Finland;
2014 - Art casting, Basics, Tampere, Finland;
2000 - Turku School of Economics, Business Law;
1997 - Vocational qualification in business and administration;

Various EXHIBITIONS in Finland since 2017.

Awards:
Finalist, The Nordic competition the Carlsberg Foundation’s Portrait Award,
The Museum of National History at Frederiksborg Castle, Denmark, 2021;
Finalist, Finland and Horse, Suomi ja hevonen 100 vuotta-art competition, 2017;
Finalist, S-Gallery, Helsinki, 2017.

Residencies:
Cité Internationale des Arts, Paris, 2020;
Grassina, Firenze, 2021.

Emily Donovan

artist-in-residence guest - 07_2022
Emily Donovan
Feather Remnants Natural Dye on Paper including Madder, Tara Pod, Goldenrod and iron. 30” x 40”

BA OF STUDIO ART AND ART HISTORY, UNIVERSITY OF MINNESOTA, MAY 2010.

Artist statement:
„I love being outdoors, watching things grow and learning about what colors can be made from nature. My paintings are created on paper with handmade dyes from natural materials using methods and recipes that are centuries old and shared by all cultures. The process includes a bit of chemistry, observation of plants and seasonal cycles and research. 

The layers of natural colors are representations of discovery, or the landscape where I gathered, the people who helped or memories about the day. I like to think each are a celebration of what the natural world has to offer and the age old traditions of making color naturally that are passed from one generation to the next.

Salzburg’s natural dye and pigment history is significant. The Hallstatt
region, located within an hour of the Künstlerhaus has textiles recently excavated dated to be over 3,000 years old. These artifacts are studied and colors have been recreated. During the residency, I propose researching the same colors and expand my knowledge with Weld, Madder and Woad. I would like to create a series of small-scale works with these pigments on paper.

I will include ideas about history and the use of natural color, its place in the Hallstatt region now and within the urban center of Salzburg. These works will create a sense of place inspired by the landscape and also provide a unique expression about Austrian’s tradition with natural color.“

Jennifer Printz

artist-in-residence guest - 08_2022
Abstraktes Bild
Returning and Knowing
Graphite, ink on paper with collage of Epson Ultrachrome Inks on Washi 22”x15”, 2021

Lives and works in Miami, Florida.
M.F.A.: 2001  The University of Georgia, Athens, GA; 1999,  2001  The University of Georgia Studies Abroad, Cortona, Italy;
B.F.A.: 1999  East Tennessee State University, Johnson City, TN; Magna Cum Laude, University Honors Scholar.

Artist statement:
„I love being outdoors, watching things grow and learning about what colors can be made from nature. My paintings are created on paper with handmade dyes from natural materials using methods and recipes that are centuries old and shared by all cultures. The process includes a bit of chemistry, observation of plants and seasonal cycles and research. 
The layers of natural colors are representations of discovery, or the landscape where I gathered, the people who helped or memories about the day. I like to think each are a celebration of what the natural world has to offer and the age old traditions of making color naturally that are passed from one generation to the next.
Salzburg’s natural dye and pigment history is significant. The Hallstatt region, located within an hour of the Künstlerhaus has textiles recently excavated dated to be over 3,000 years old. These artifacts are studied and colors have been recreated. During the residency, I propose researching the same colors and expand my knowledge with Weld, Madder and Woad. I would like to create a series of small-scale works with these pigments on paper.
I will include ideas about history and the use of natural color, its place in the Hallstatt region now and within the urban center of Salzburg. These works will create a sense of place inspired by the landscape and also provide a unique expression about Austrian’s tradition with natural color.“

Corrie Francis Parks

Die Künstlerin ist im Rahmen des Media Art Stipendiums in Kooperation mit subnet artist-in-residence der Stadt Salzburg - 09_2022

Corrie Francis Parks brings life to the inanimate through frame-by-frame manipulation of physical materials. With one hand under the camera and the other on the computer keyboard, her films and installations maintain an organic connection to traditional production methods while fully integrating digital technology. She is an Associate Professor of Animation at University of Maryland, Baltimore County and author of the book, „Fluid Frames: Animating Under the Camera with Sand, Clay, Paint and Pixels“.

Jurybegründung:
The invited artist Corrie Francis Parks and the proposed project Embodied Ice focus on translating glacial time to human time. It is an interactive video installation which gives the audience the possibility to participate and get in contact with the artwork. 

For the residency in Salzburg the existing part will be adapted and further developed with material on site, including data inputs on human activity from public places or samples from the Salzach. With Miniature rock glaciers, the project addresses the social environmental problems. 

The artist was selected based on the high-quality project proposal that incorporates the aesthetics of techno-science in tangible projects and the clear Salzburg reference.

Robin Bukhamseen

artist-in-residence guest - 10_2022
Filmstill „Colligere versus individum“

Film Editor and Filmmaker, Schweden.

Robin Bukhamseen born 1996 has created films since childhood until today. 
With three years of bachelor studies in editing she has perfected her intuition for emotional and physical movement in film.
Robin’s motto in her filmmaking is to go with the flow and to experiment.

Higher education:

  • Stockholm University of the Arts - Bachelor in film editing, 3 years
  • Katrinebergs Folkhögskola - Film production, 2 years
  • Halmstad University - Film science, 6 months
  • Sturegymnasiet - Film- and tv-production, 3 years

Selection of created and edited films:

  • Colligere versus individum - Winner best documentary at PLAY short film festival, director Robin Bukhamseen
  • Ya habibti/My beloved- Winner best film at PLAY short film festival, competitor at Up and Coming Film Festival in Hannover, director Robin Bukhamseen
  • Well here I sit and nobody cares - Winner best film at PLAY short film festival, competitor at Festival international du cinema et d'education in Fez, director Robin Bukhamseen
  • A swedish defense - Graduation short film at Stockholm University of the Arts, director Simon Elvås
  • Friends - Graduation short film at Akademin Valand, director Lina Vain Illalla
  • The Vipeholm experiments - Feature film by Affekt Film, director John Tornblad

Michaela Casková - Living Space Grant

Die Künstlerin ist im Rahmen des Living Space Stipendiums in Kooperation mit periscope artist-in-residence der Stadt Salzburg - 11_2022
Small Talk #4 Evereything weather 2019
The curatorial team of Lofoten International Art Festival (LIAF) 2019 have been invited to collaborate with UiT The Arctic University of Norway and their research project Stressor. The field expedition takes place in an area of the Norwegian Sea outside the Lofoten islands. During the expedition I was on board the research ship “Helmer Hanssen”. During the cruise I concentrated on observing and collecting material and data on weather that definitely was a significant factor on life on board. Weather in times of climate change is one of my biggest themes. Observing how numbers and data really feel and how they affect our behaviour and action interested me also on Helmer Hanssen. Work Everything weather is a new comission for biennale LIAF 2019.

Born in Brno 1988, Czech Republic, currently living and working in Finland.

2012 – 2014 – Master of Education in Arts, Faculty of Education, Olomouc University, Czech Republic
2014/15 – Mustarinda association, Erasmus+ traineeship, Finland
2013 – Mustarinda association, Erasmus traineeship, Finland
2010/2011 – Academy of Fine Arts, Graphic department, Riga, Latvia
2007 – 2012 – Master of Fine Arts/Book Design department, Faculty of Fine Arts, Ostrava Univerzity, Czech Republic
2003 – 2007 – Secondary School of Arts and Crafts, Department of Space and Creation, Brno, Czech Republic     

Statement
I am visual artist, illustrator, nomadic gardener and art educator.
Walking, observing, asking, talking, being in silence, listening, imagining, picking, foraging, mapping and drawing are some of my tools. I focus on  processes of connecting, sharing, doing, being and learning together. At the moment I work on different collaborative interdisciplinary projects focusing on environmental and diversity issues in times of climate change. 

As an board member of the Mustarinda Association I work with projects intertwining art, science and ecological and cultural diversity.

Jurybegründung:
„Michaela Casková (Helsinki) beschäftigt sich mit Wetter- und Umweltbeobachtungen. 
Die Künstlerin gründet ihre künstlerische Arbeit auf ihr ökologisches Engagement. In Zentrum ihrer Arbeit steht die Beziehung zwischen Mensch und Umwelt, insbesondere auch die Auseinandersetzung mit der Klimakrise. 
Für ihr Ausstellungsprojekt macht es Sinn, dass Michaela Casková sich in Salzburg länger aufhalten und dazu das Atelier der Stadt im Künstlerhaus Salzburg nutzen kann.

Janina Kracht

artist-in-residence guest - 12_2022
"Linear VII"
85 x 116 cm, 2021

geb. 1964 in Dresden 
1991-93 Studium Akademie der Künste Nürnberg , Fachbereich Malerei (Prof. K.-G. Pfahler, R.G. Dienst);
1993-96 Hochschule der Künste Berlin, Fachbereich Malerei (Prof. Kuno Gonschior);
1996 Meisterschülerin bei Prof. Kuno Gonschior, HdK Berlin;
seit 1998 freischaffende Künstlerin in Dresden, Arbeitsgebiet Malerei, Kunst am Bau;
Stipendien und Auslandsaufenthalte seit 2012;
Seit 1995 Einzel- und Gruppenausstellungen in Deutschland, Türkei, Polen.

In Salzburg plant die Künstlerin eine intensive Beschäftigung mit kristallinen Einheiten und Formen aus der Natur, um in der Auseinandersetzung mit mineralischen Strukturen neue Gestaltungsmöglichkeiten zu erforschen.

“Ich werde die Zeit nutzen, eine künstlerische Umsetzung dieses Themas in Malerei und Grafik zu entwickeln.
In den letzten Jahren entstanden Serien von Papierarbeiten und Malereien geometrischer Kompositionen in denen Farb- und Formvariationen seriell erarbeitete wurden.”

Service und Kontakt

Kultur, Bildung und Wissen
Adresse: Mozartplatz 5, 5020 Salzburg
Tel: +43 662 8072 3422
E-Mail: kultur.bildung.wissen@stadt-salzburg.at
Mag. Martina Greil Bakk.
Film, Medienkunst und Int. Kulturkontakte